Posts in Cerebro - User Case

Executive producer Black Point Ksenia Akimenko shares how the team structures data using Cerebro.

We develop a project management system tailored for companies involved in CG, VFX, and animation. Take a look at five examples from our clients.

How Film Direction studio made work clear and transparent. In this case study, production manager Elena Gurskaya and Film Direction coordinator Polina Bryzgalova talk about implementing Cerebro and how it has affected workflow convenience and efficiency.

The company employs 110 people, with many projects spanning over 50 shots and several months. These factors have led to the implementation of a resource management system.

We are launching a new video format — interviews with Cerebro clients. Our first guest was Aleksey Kukharonok, Head of CGI and Visual Effects at the HSE Art and Design School.

The team set out to find a tracker tailored to graphics. That’s how 9 Pandas found Cerebro and chose our product for managing projects.

Design studio Sinners wanted to organize technical processes and control production tasks in one single tool. We asked Sergey Zavoloko, the co-founder of the studio, how Cerebro helped reach these goals and restore order in the workspace.

The ‘Klaxon Production’ studio opted for Cerebro, enabling employees to perform their work effortlessly and create children’s animated series while managers are assured of infrastructure stability.

In the interview, we’ve talked about how Ivan manages to draw attention to the short film, and where to look for ideas and resources.

We interviewed InSoul Effects studio’s founders, Kseniia Ivanova and Marina Burova. They shared their experience of working on large-scale projects and told us what programs and systems are helpful in running a business.

You can learn about the subtleties of working in film production and personal professional experience of composers, supervisors and other post-production guys in CG PODCAST №1.

We interviewed 1-2-3 VFX general producer Ilya Shutov. Ilya took part in the creation of many sensational films and TV series — ‘To the Lake’, ‘The Blackout’, ‘Cybervillage’.

How to start an animation company with a unique production pipeline with higher productivity and more opportunities for creativity? Sergey Demchev, CEO Magic Factory, shares his experience.

In the interview with INTER TV’s Art Director, Alexander Serbin, you will find out how Cerebro can help keep track of projects and simplify remote work on long run projects.

We had an exciting conversation with Ilya Ostrikov, the art director of the REN TV channel, and prepared the big interview with him for your eyes.

We interviewed the Main Road Post. The team shared their experience working on large and small projects, the introduction of agile and scrum in the production process. We discussed the creation of graphics, labour immigration, the future of the industry, and more.

A big interview with ALGOUS studio! CEO Alexei Gusev talks about Russian cinema, the film “T-34”, and off-screen difficulties of production and post-production.

Cerebro continues publishing interviews with customers. We talk with producers, project managers, and other industry professionals. We have talked to the executive producer Elena Degtyareva about her work in the animation company, hiring practices and experience with projects management systems.

We have new amazing stories from Cerebro customers. This time, we talked to the film producer, director Alexey A. Petrukhin, and VFX producer Maria Zaykovskaya from the Russian Film Group Corporation about the release of the Viy sequel, their experience with film production in China, and further plans.

Сerebro continues publishing interviews with customers. We have talked to head of HR Anna Khoroshilova and linear producer Igor Kazantsev from 3D Sparrow animation studio about their cartoon Booba, hiring practices and experience with projects management systems.

Cerebro continues publishing interviews with customers. We talk with producers, project managers, and other industry professionals. We have talked to the CEO Boris Mashkovtsev and the HR director Daria Strekalova of the legendary Soyuzmultfilm animation studio about implementing new technologies, development plans, and hiring practices.

How to found a VFX studio after majoring in Geology? How does the Japanese management style work? How to impress the audience with Augmented Reality? Vitalijus Zhukas, the CEO of the OKTA Studio, tells us about this and much more 🎮💬❤️

Provocative, sophisticated, impressive. Dmitry Ostroglyadov, the head of the studio: how to keep challenging yourself and build a proper internal workflow. Read about the most extraordinary, large-scale projects in our interview 👾💬💜

Cerebro continues publishing interviews with customers. We talk with producers, project managers, and other industry professionals. Our new interview features Vadim Sotskov, CEO of the KinoAtis studio.

Cerebro continues publishing interviews with customers. We talk with producers, project managers, and other industry professionals. Our new interview features Alexander Oplanchuk from ‘Baahubali 2: The Conclusion’ VFX Team.

Cerebro continues publishing interviews with customers. We talk with producers, project managers, and other industry professionals. There is our new interview with Alexey Duk from PIK Group.

Cerebro continues publishing interviews with customers. We talk with producers, project managers, and other industry professionals. Our new interview features RC Kamalakannan from ‘Baahubali 2: The Conclusion’ VFX Team.

Cerebro talked to United 3D Labs.

Cerebro resumes publishing interviews with representatives of corporate customers. We will talk with producers, project managers, and other industry professionals. Another interview features Vadim Vinogorov from the Sila Sveta interactive media studio.

Today we talked to Felipe Morell, the executive producer and CEO of Digitz Film a production company in Columbia in South America.

Let us begin with EXCLUSIVE teaser premiere of «Sergiy Radonezhsky. The Legend of Miracle Worker» and continue further interview with Maxim Alaev, head of compositing department at DA-Studio

We continue the tradition and today we will talks with Tatiana Toropova, head of the RENDER.RU Center of Distance Learning

Today we spoke with Himakumar Kilari, VP Post Production at Prasad Group.

Today Konstantin Kharitonov talks with Hideki Kawata, CG artist at Transparent House.

We are proud to present a new cycle of interviews on how Cerebro is used in companies. This month we interviewed  Elena Chugunova and Anastasia Pashenkova, project managers at “Petersburg” animation studio.

«We are no different from any real studio: the student who successfully passes our  test, is no different from the expert who is handling  over real work».Today Konstantin Kharitonov  talks with Ekaterina Cherkes-Zade, the director of Scream School, a computer graphics school and the Moscow film school.

Today Konstantin Kharitonov talks with the heads of Moscow VFX-studio Trigraph — Arkady Dubinyn (Supervisor) and Olga Nikulina (Producer).

This month, Konstantin Kharitonov talks to Dmitrii Filippov of Mandarin Ad Agency.

This month we’re interviewing Yulia Kozhevnikova from the Advance Digital advertising agency.

This month we talk with Eugene Barulin director of ‘Ulitka Post’.

This month we talk with Alex Duk director of visualization departament company Vedis.